Disclaimer: I only do this for art that tugs at my heart and mind. The last time this happened was for Asa’s Bed of Stone. Fyi, this is not a review. Furthermore, you can listen to Poetra’s EP here.
Listening to Motherfuckitude back to back for a while reminds me of thoughts I’ve thought and shelved for a while… Like how great most of my generation is at being simultaneously connected and detached. I sense this duality in Poetra’s art in general. I mean.. we’ve had to be great at straddling and expertly navigating a number of worlds. We weren’t born into connectivity – we came of age in it. [Side Note: When I see all those articles moaning about how young people spend way too much time online or how the world is going to shit because these young people spend all time on their phones, I snort in amusement because these people have not realised how great we are at adapting and evolving. We balance “real life” and “social media life” (assuming those are actually two separate worlds, but that’s a discussion for another day) because there really is no choice for us. If I video a concert while watching it does it mean I am not enjoying it? If I check out what other people are tweeting about the show I’m watching while watching it and tweeting about it myself does it mean I’m not watching it? I hang out with friends in real life and in real time on twitter all the time – our conversations weaving and wafting online and offline – No biggie.]
Same way Poetra weaves and wafts – No biggie.
Track by track? Why not?
Naked Listeners is chock full of quotables and preach-sister-preach moments. Not sure what I mean about the weaving and wafting? It’s a constant theme throughout Motherfuckitude and in this first track you begin to experience it. The arrangement is just sublime. The bells. The bells. The bells.
P.O.A takes me back to awkward moments as a teenager crossing over into my twenties – competing thoughts all up in my head – trying to find my feet, my place in the world, sometimes wondering whether I should even bother. It’s about her personal battle with art, plus observations about the field she’s intimately connected to, yet as I listen, I put myself in her shoes and think of my own (fading) struggles to find my spot(s).
No Panties is a good one in this collection of good ones. Though it’s not my favourite, I can certainly see why it seems to be so many other people’s favourite track off Motherfuckitude, AND it’s not just because she has no panties on. It’s littered with subversion and rebellion which may not be so subversive as it seems to be fast becoming the ‘in’ attitude now… I remember when I first realised Poetra could sing – like really sing. It was at an Ehalakasa event at Nubuke foundation, she came out with a now long-forgotten guy accompanying her on the guitar and charley, it was beautiful.
The Poetry Ain’t Shit melody is delightfully upbeat for such a depressing refrain. The message is familiar – it ties in with P.O.A in rather nicely. And as always, the ever present (does she even realise she’s consciously doing it? do we?) weaving and wafting… weaving and wafting.
Masked Commoners is another one that clearly brings out that straddling or different worlds I’ve referred to. It’s quite heavy in terms of the theme, but in a good way. There’s commentary on the worlds we live in today; with the uneasy couplings and balancing acts we continue to contend with in our daily lives. As an aside, I would like to note that the music perfectly matches the words.
All Love is light and breathless. It’s the sort of track I would imagine playing in the background when I’m a perfect date with a person I expect to break up with in a few weeks. It’s the sort of lighthearted yet serious, breathless yet measured anthem for heart-wrenchingly painful moments you know a bottle of wine and 2 bars of chocolate can fix. It draws you in – promising an easy listen – and you fall for it… listening twice.. five times and then it thrusts you into your feels… and then you shake your head with a wry smile because Poetra got you. It’s ditzy brilliance. It’s my favourite.
In conclusion? I love Motherfuckitude.